Collaboration: SLiDE and The Brit School

It was several months in the planning but the SLiDE and Brit School partnership is flourishing. It has kicked off with an 8 week youth dance project, led by Gemma Coldicott, combining 10 SLiDE dancers with 3 Community Arts Practice (CAP) Brit Students. The group developed a piece called ‘Free?’ and performed it at the ‘Positive Push’ youth arts platform on March 20th.

‘What I love about these projects is seeing how fast the group bonds and starts to support and each other. This was evident from the beginning through to the end, and particularly on the performance day. Watching the other groups perform was so inspiring, particularly witnessing the energy of Kronos, the all male Brit dance group’, Gemma reflected.

Photo: Anita Wadsworth

The partnership has been possible through the work and determination of Andrea Davis, Director of Dance and Josie Sovegjarto, Dance Teacher and CAP Tutor.

‘I think the CAP students have learnt a lot about communication, creativity and how to manage being responsible for others in a practical environment. To welcome such a diverse group of people into the school’s community and have them collaborating together I feel is something very special, a learning curve for all and a big achievement. It is an invaluable experience for the students to gain now at such a young age and it is beneficial for their character building as they need to work consistently with dedication as well as an open mind. They are learning so much form Gemma’s leadership and I think it is a wonderful project, thank you SLiDE!’ Josie Sovegjarto, Dance Teacher, The Brit School. 

It has been so successful that SLiDE will be back at the Brit School, from May 1st. They will set to work on a new piece, extending the collaboration with even more partnerships. More to follow….!

Photo: Anita Wadsworth

New Directions

We have barely caught our breath yet from the whirl wind that was 2013! The SLiDE calendar was packed with two large community projects, workshops in local schools, youth dance projects and of course the barn dance, attended by 85 people. Anita and I were thrilled by the response to our work:

‘Park Life was breath taking. I haven’t seen something emerge from my park, that was so in tune with it, ever! Well done, more please.’

‘A very rich performance, in terms of ideas and themes. I loved the interaction in the duets and the use of words too was really good. Great deal of humour and apposite emotion. ‘Unexpected Item’ was gorgeous and heartbreaking in places, actually.’

You can see plenty of footage from these events via the SLiDE gallery.


SO! In the meantime we have busy in a different way. We have been joined by a fabulous Board of Directors, Joanne Lyons, Tamsin Watson and Thomas Cresswell. You can read more about them here. Our first board meeting, at the end of January, was extremely productive and are looking forward to the journey ahead.

Our current venture is a partnership youth dance project with The Brit School. On Thursday 20th March our newly formed group will perform as part of the ‘Positive Push’ platform. The group have been assisted by three students from the ‘Community Arts Practice’ strand at The Brit School, who have contributed greatly in terms of their passion and energy for inclusive dance.

There is plenty more in the pipeline line and I leave you with one thought:

Did you know there are 42 slides in the borough of Croydon?

Watch this space…….

Shared Voices – Rosie

Looking back on ‘Park Life’, in July 2013, one of the performers reflects on her duet with Rick, from Candoco Dance Company.

‘Initially I felt anxious as I felt I was no match for a professional dancer. I embraced it as a challenge, but was worried I might let Rick down. Once we had read the piece about the stream in the park, Rick and I discussed how we might turn it into movement. Rick was patient and gentle in advising on how I might extend my movements and become more intrinsic in my interpretation of the words. In the hall the movements felt enclosed and small. But it was a safe place to try out ideas …

Performing in the park generated a sense of freedom that touched my spirit. I became the river – literally! I felt the flow and power of the water as it flowed around and battled to overcome and be free …

The fact that Rick was in a wheelchair seemed to enhance the experience and the performance in a way I would not have appreciated without this opportunity. It was awesome and even now it brings a smile to my face that reaches into my soul. Thank you’

Rosemary Harvey

See Rosie and Rick in action in our 2min film, ‘Park Life- Big Field’.

‘Unexpected Item’: Reflections from Chloe

For our current project we are joined by Chloe, a recent graduate of The Urdang Academy. Here she reflects on the ‘Unexpected Item’ journey so far….

Taster workshop, 31st October: 

In my first taster session with SLiDE, I found myself from one minute drawing a portrait, of somebody of a similar age and height, with different parts of my body, to then creating a group of positions around an energetic three and half foot toddler in a yoga-eqsue position – very unexpected.  Having just graduated from The Urdang Academy where my training was heavily dance technique based, SLiDE gave me the opportunity to exchange my skills and ideas with those who have different backgrounds in dance.  I also appreciated the freedom Anita, from the SLiDE team, gave in the session, she initiated the tasks but didn’t dictate, as it was clear that everyone was given the opportunity to express themselves and their ideas were always respected.

The second session was equally as creative but focused on the themes of the piece, such as the library.  We were given ideas inspired by the library such as the corridors and from that we created moving book shelves! It was great to see how a simple object such as a book could be used in so many different ways, and ever create interesting dance motifs.

One thing SLiDE brings to South London is the idea that creativity and dance is accessible for everyone and can be achieved with people from down the road! Everyone made me feel welcome and provided an uninhibited environment for me to create and explore dance.  I felt that after the session I was looking at things around me with a fresh perspective; allowing myself to expect and accept the unexpected!  With this in mind I am intrigued and excited to see what happens on the rest of the SLiDE experience.

Creation day one: 2nd November: Shopping tents and basket backpacks.

My unexpected moment from this week’s session: 11am on a Saturday morning and I was wearing a Sainsbury’s shopping basket as a backpack in a game of ‘pass the basket’!  Later on in the day, a tent was passed around the circle and was used as a surf board and a dress.

This week built upon the games from Thursday’s session, ‘Book ledges’ ‘Disco book’ and ‘Circle time’ as well as a warm up game that involved copying someone else’s dance move in a circle.  This became choreography for later in the session, and developed into duets and trios.  In this session we experimented with the space, rearranging the recycling to get us moving and using the space in different ways.  Playing in the space was interesting as there became a number of ways to set up the space for the performance, instead of the conventional way of having the audience directly facing the stage.  We wondered how to create more of an experience for the audience not just a performance… I’m looking forward to playing with this idea more.

Creation day two: 9th November: Progress!

We created the first 10 minutes of the piece! It got there through some planning, a lot experimenting and of course, improvising and Gemma’s words of wisdom, ‘It’s the simple things’ were particularly relevant to Saturday’s session.  Mid afternoon both Gemma and I’s brains were feeling frazzled when working on a group section with shopping baskets. We tried several tasks but they didn’t feel as though they were really getting anywhere.  We then realised that we were looking too hard, and in actual fact the simplest part of the task, with two people simply stood back to back holding the baskets, was in fact visually very interesting and it could be used with another section, as well as sparking new ideas for other sections!

The work is really exciting, and each session gets more experimental – the number of ways in which everyday props can be used constantly surprises me! I’m enjoying experimenting and creating but most of all watching what others offer and getting to know everyone working on the piece better week by week.

20 %22Unexpected Item%22 rehearsal 2013

Barn Dance…Success!

They came, they danced…they ate cheese! We were amazed at the turnout we had to our recent Barn Dance, 85 people came, and everyone was eager to take part in the dancing. We raised over £600 to go towards our upcoming Project, and we were really grateful to everyone who helped us on the night. It was fantastic to see Selsdon Community Centre buzzing, and see a glimpse of what this venue can be for the community! A huge thank you to everyone who supported us. Watch this space for more in 2014…

What’s next for Unexpected Item? Taster workshops are happening tomorrow, and we start the Project rehearsals on Saturday.

It’s not too late to join us!

SLiDE Launches a crowd funder….!

Yesterday we launched our very first crowd funder to help raise funds for our latest project ‘Unexpected item’.

So far the response has been brilliant and we are super excited about our potential backers coming from far and wide. Gifts for our backers include SLiDE visiting your workplace to run a dance workshop, that is going to be very interesting….! Creative dance workshops around computers?! work stations?! supermarket isle’s?! We’re up for it!

To have a look at our page see:

Any help, big or small, gratefully received.

No barn? No problem


On Friday October 25th SLiDE will be hosting their first ever barn dance in Selsdon (Croydon) and it will launch their next community dance project ‘Unexpected item’. The barn dance will be called by Rosemary Harvey, a regular dancer in SLiDE’s projects. Here she discusses her route into barn dancing and the illusive issue, ‘so what is the difference between a Barn Dance and a Ceilidh?’.

How did you get into barn dancing, and calling?

I really got into Barn Dancing through teaching English Country dancing in Primary Schools: as part of PE and in Dance Clubs. However, I have been doing Scottish Country Dancing since I was a teenager – I think that expertise helped. Calling has been a more recent experience. I first did this about 8 years ago when a local church wanted to raise some money for outreach work abroad and decided to hold a Barn Dance. From that moment I was hooked.

Can you briefly describe the difference between a Barn Dance and a ceilidh? 

Ceilidh is a traditionally Scottish gathering where individuals bring along a talent to share: dancing, singing, acting, recitations and musical instruments to entertain everyone for the evening. More often they are mainly traditional Scottish Dances with a few people entertaining in between, but can also be just simple Scottish Dances and a few fun dances to encourage as many people as possible to ‘have a go’. Traditionally some of the musicians would play, but it is more common for there to be a band or CD’s today. Scottish Country dances are predominantly reels, jigs or strathspeys, which are of a slower tempo.

Barn Dance is usually full of English Country Dances and maybe some American Square Dances which are walked through and ‘called’ so that as many people as possible can join in. Usually a band will play but sometimes CD’s are used. Barn Dances are usually jigs and reels but can be waltzes or hornpipes.

The common ground between both types of dancing is that the figures are the same: reel, star, circle, doh-s-doh, for example. However, Scottish dancing has particular steps: pas-de-bas, travelling step, and Schottishe setting.

What’s your favourite thing about barn dancing? 

I love country dancing mostly because of the music which is lively and fun to dance to. However, I think Barn Dances are a good way to introduce people to this type of dancing as they are always ‘called’ so that people can relax and enjoy the dance. Whether I dance or ‘call’ it puts a smile on my face because everyone seems to enjoy themselves and it doesn’t matter if you go wrong – that’s part of the fun!

Could you sum up a barn dance in three words…

Dance! Laugh! Have fun!

Tickets are on sale now and we hope you can join us for what will be a laughter filled evening of dance:


When all the dancers have left the field…..

….the apple tree of technology has been cleared away, the CALAT gates locked for the last time and the dance mat cleaned and put away, is that really the end?

Absolutely not.

This is just the beginning…..

And when asked “what will you miss now that ‘Park life’ has ended?” the responses were hardly surprising….

‘I will miss the people I’ve met and how creative the whole project was. I never thought I would do something quite like this’ Alex

‘I will miss most the amazing and inspirational people I have met. Oh and dancing by the lake with the ducks’ Lauren

‘We will miss being with everyone and being out in a big open space, with sky, heat, fresh air and lovely people’ N and L

‘I will miss the friendships I have made and being able to wake up everyday and go to dance’ Carys

The people ALWAYS make the project and Anita and I were continually amazed, entertained, humbled and generally in awe of the people who joined us for ‘Park life’. We simply cannot wait for our next encounter…..

photo-1 copy 2

The dancers survived the heat (almost) but were revived by our free SLIDE cupcakes….


Kindly donated by PMT Cafe, 231 Lower Addiscombe Road, CR0 6RD Croydon

Choreographing People

Water. Sun tan lotion. Hats. Chair.

This has been the unexpected mantra of the group as we try and stay safe in the heat. It has been tough work, but the group still love being outdoors in the park (phew).

Moments stand out: a rippling arm echoes a brief and rare breeze through the trees. Dancers support and help each other over the undulating ground. And one dancer, waiting alone in the field for a dancing partner, with clarity and intent.

It is easy to get bogged down in the practicalities of dancing in a heatwave (trust us, there are many), and yes, part of the rigour and clarity of movement naturally gets lost in the heat. But what replaces it is satisfying: a choreographing of people. Not just watching out for movement, but taking care of them.

You need a chair? No problem. Water? Yes, that will go into section 2. Responding to needs leads to some fun and unexpected moments in the piece. And really, any event like this is all choreographed, from booking the hall to sending the invites. We create the pathways and the movement where people meet and share.

The group has been amazing, upbeat and supportive.

Here is to tomorrow. Let me just grab the suntan lotion.